HEART OF GOLD

Look up soul in any dictionary: it means “strong positive feeling, as of intense sensitivity and emotional fervor.” Charles Bradley is one of the best soul singers of our generation. His raspy vocals are reminiscent of the voices of Otis Redding, Al Green, and James Brown, whose music he was covering when he was discovered in Brooklyn by Daptone Records’ co-founder, Gabriel Roth. Roth took Bradley to meet Tommy Brenneck, who plays with Sharon Jones & the Dap-Kings, Budos Band, Menahan Street Band, and runs Dunham Records.

Tommy Brenneck

Bradley’s brother had just been shot and killed, and Brenneck encouraged Bradley to open up about his life and put it on tape. Bradley’s life gave him a lot to sing about: fatherless since day one, homeless since 14, cooking in kitchens, reuniting with his family only to get terminally ill, getting better only to lose his brother. “Heartaches and Pain” is the song he wrote about the murder of his brother, and its title describes the whole of Bradley’s debut album, “No Time for Dreaming”, a heartwrenching glimpse of how to get through hard feelings and hard times with only your voice between you and giving up. Again: it’s great soul, and it gives our generation a sense of the greatness of that genre as it was in the ‘50s and ‘60s.

We Are Trees is James Nee’s musical project, one that he started when he was sixteen in Virginia Beach. Nee’s voice is often compared to that of Grizzly Bear’s Dan Rossen; Nee doesn’t agree with this comparison, but the similarities are unmistakable. I would go as far as to say that a few of his tracks are superior to some of Rossen’s work with Grizzly Bear and Department of Eagles, but to overemphasize the comparison would be selling We Are Trees short; Nee certainly isn’t ripping anybody off. His music is layered and complex and at the same time very mellow with engaging vocals occasionally accompanied by string arrangements. In the past year, Nee has put out two EPs: Boyfriend in July 2010 and Girlfriend in March 2011. Both were well received by music blogs and by some traditional print outlets. Boyfriend caught the attention of Collective Crowd Records, who signed the singer last year.

Talking to Jared Swilley about Black Lips’ upcoming release, ‘Arabia Mountain’, I couldn’t help but feel proud: This band has matured a great deal in the past decade. Swilley says that the album is the band’s best to date and that its recording re-energized the group. And although Jared can’t promise vomiting, pissing, man-kissing, or any of the band’s usual on-stage debauchery, he can promise that this music is the best thing he and his bandmates have ever done. He is not one to bullshit about albums, he mentioned publicly that he wasn’t totally proud of their previous album, ‘200 Million Thousand’.

The Black Lips were just teenagers when they formed in Atlanta in 1999: Cole Alexander on guitar and vocals; Ben Eberbaugh on lead guitar; Jared Swilley on bass; and Joe Bradley on drums. These four cut their first album in 2002, just before Eberbaugh died in a head-on collision on a Georgia highway. The band carried on, believing that Eberbaugh would want them to continue. Ian Saint Pé, the bands current guitarist, joined the group in 2004.

Their music caught everyone’s attention, starting Atlanta’s “flower punk” movement, and mixing in the sounds of blues, country, garage, and the 80s. Their performances were out of control; they gave their audiences the whole package of punk, rock & roll and controversial on-stage antics.

They took their time recording ‘Arabia Mountain’, working for the first time with an outside producer: Mark Ronson. Ronson, who has worked with Nas, Adele, and Amy Winehouse, wouldn’t have been the first guy I would have thought of for the job, but it worked out really well for the band. Their friend, Lockett Pundt of Deerhunter produced two songs on the album, which was recorded and mixed in Brooklyn and Atlanta in 2010 and 2011.

‘Arabia Mountain’ will be released in June through Vice Records. Touring behind this album, they’ll play with the Vivian Girls on the East Coast and Cerebral Ballzy on the West.

STRAIGHT INTO A STORM

John McCauley is a rock star, plain and simple. He’s an extremely talented musician with no pretense who is accessible to his fans and loves to have a good time. Like the fictional character Russell Hammond played by Billy Crudup in Almost Famous, it’s easy to envision John taking a hit of acid after a show and heading out to a late night party with his fans. He’s the kind of guy that would jump off the roof into the pool without any encouragement and without proclaiming, “I’m A Golden God.” There would be no guilty feeling the next day; he would chalk it up as a life experience. That’s the way John is wired.

Deer Tick began as a solo project in December 2004 when John was only 18 years old in Providence, Rhode Island. During that time he taught himself to play drums, guitar, piano, and pedal steel. He went on to record his critically acclaimed debut album ‘War Elephant’ at age 19. John’s distinctive, howling voice and tales of love and loss put him on the map with critics around the world. The music press anointed McCauley as one of folk/country’s most promising young songwriters.

John didn’t envision Deer Tick as a solo effort, so he invited Andy Tobiassen (no longer in the band), Dennis Ryan, and Chris Ryan to join the Deer Tick for their sophomore album, ‘Born On Flag Day’. At the time, John commented on the newly formed band, saying, “I tend to limit myself as far as what I write about and how I deliver my lyrics, so collaboration has been a really healthy thing for me lately. I’m kind of realizing that singing songs about getting drunk and cheating isn’t going to sustain itself for much longer. I’m going to have to broaden my horizons.”

Deer Tick’s brand of music has been described as country, folk/rock, and alt-country, but that’s selling the band short. If you see them live, you will see elements of grunge, blues, punk rock, and country ballads, with a primary focus on straight up rock n’ roll. Their live performances and non-stop touring have earned the band a loyal following of devoted supporters and fans.

In addition to performing with Deer Tick, McCauley is currently touring with Middle Brother, which is a collaboration with Taylor Goldsmith of Dawes and Matthew Vasquez of Delta Spirit. They are touring behind Middle Brother’s self-titled album, which was released last month.

HANNI EL KHATIB

2011 is going to be a big year for the multi-instrumentalist singer-songwriter Hanni El Khatib. The San Francisco native generated industry buzz when local music blogs Passion of the Weiss and Aquarium Drunkard each presented him in shows last year. Soon after, his music was featured in the HBO series “Hung” and he landed a slot opening for Florence and The Machine.

Hanni’s music is straight up rock ‘n’ roll with a touch of soul and blues. Influences range from Johnny Cash to the Sonics, and his cover of “You Rascal You,” is a dead ringer for a Black Keys song. Still, his sound is his own, transporting a hybrid of the past and present. “Build. Destroy. Rebuild,” Khatib’s second single, sets the tone for his debut album Will The Guns Come Out, which will be released May 2011 on Innovated Leisure. When he is not touring, Hanni serves as creative director for HUF, a skateboard company founded by professional skater Keith Hufnagel.

To The Beat Of Her Own Drum

I‘ve been a fan of the Los Angeles-based band Warpaint since I first heard their single, “Billie Holiday.” I would go so far as to say it’s one of the best songs in the past decade.

Since forming in 2004, the band has had trouble holding on to a full-time drummer. The first drummer was actress/musician, Shannyn Sossamon, sister of current Warpaint bassist, Jenny Lee Lindberg; Red Hot Chili Pepper, Josh Klinghoffer, also spent some on drums. It wasn’t until last year that they found a full-time drummer, Stella Mozgawa.

As a teenager, Stella grew up in Sydney, Australia, listening to Tool, Quiet Riot, and Primus for her drumming inspiration. As she matured as a drummer she moved on to Levon Helm, Keith Moon, and John Bonham. She began her career with the band Mink. The group was fortunate enough to tour as the opener for Perry Farrell’s solo project, Satellite Party. Since she relocated to Los Angeles, she has been a session drummer for about a dozen bands and has shared the stage with Flea, Tom Morello, and John Frusciante. In addition to being a member of Warpaint, Stella is a full-time member in Australian madman Andy Clockwise’s band.

I’ve had the pleasure to meet Stella several times. She is a charming and sweet person, and I consider her the best drummer in Los Angeles.