February 16th, 2010

Rollo & Grady Interview // Daniel Gill

Daniel Gill

Daniel Gill, the founder of Force Field PR, grew up in Florida and started his own record label, Animal World, in 1997, through which he released albums by Frog Eyes and The No-No’s, as well as tributes to The Shaggs and Captain Beefheart. After serving as music director at WVFS radio station in Tallahassee, Daniel went on to work for Fanatic Promotion for several years, moving the company from Colorado to New York City and later opening its Los Angeles branch office.

Force Field PR, one of the most reputable music PR firms in the business, provides national, tour and specialized publicity campaigns for artists such as Panda Bear, Neon Indian, Dan Deacon, Real Estate, The Pains of Being Pure at Heart, Lightning Bolt, Black Dice, Ariel Pink, WHY?, Deer Tick, Vivian Girls, Crystal Stilts, Woods, The Fresh and Onlys, Field Music, The Strange Boys, Papercuts, The Rural Alberta Advantage, and the list goes on. In the past, the company has helped to launch the careers of a long list of established names, including Sufjan Stevens, Dirty Projectors, St. Vincent, YACHT, Blitzen Trapper, WAVVES and Beach House. Force Field’s website is set-up like a music blog, that features tour info, band bios, and free MP3 downloads from their roster.
Rollo & Grady Interview // Daniel Gill

January 25th, 2010

DOJ Approves Ticketmaster – Live Nation Merger

DOJ Approves Ticketmaster   Live Nation Merger

[via - WSJ]
“After nearly a year of review, the Justice Department on Monday set the conditions under which it will permit concert promoter Live Nation Inc. to merge with ticket-selling and artist-management powerhouse Ticketmaster Entertainment Inc., in a deal that could reshape the music industry. As laid out in a briefing in Washington, the conditions appeared relatively straightforward and shouldn’t pose major obstacles, thereby clearing the way for the creation of single entity that will be able to manage artists, book them in venues which it owns and sell tickets to their concerts. It will also be able to sell merchandise, run fan clubs, and in some cases sell recorded music. The Justice Department said in a statement that the conditions would “preserve competition” in the U.S. ticketing business.
“We were prepared to litigate this case, and I told the parties that,” Christine Varney, the head of the Justice Department’s antitrust division, told reporters. (continue reading article at WSJ.com)

January 18th, 2010

Guvera Raises $20 Million // Ad-Supported Music Service

 Guvera Raises $20 Million // Ad Supported Music Service
[via - Paidcontent]

“Ad-supported music downloader Guvera has raised a $20 million second round, bringing its total funding over the past two years to $30 million, Techcrunch reported. All of its funding has come from AMMA Private Investment, an Australian consortium of private angel investors.

The private, registration-only music site recently signed a big licensing deal with Universal Music Group. Australia-based Guvera is angling to build up its U.S. presence and has already opened a New York office late last year. In addition to UMG, Guvera also licensing deals with EMI and other labels. It’s hoping to get Sony (NYSE: SNE) and Warner Music Group (NYSE: WMG) on board as well.” (Continue Reading)

December 15th, 2009

Paidcontent // Digital Music Business in 2010

Paidcontent // Digital Music Business in 2010

[Via Paidcontent]
Where The Digital Music Business Is Headed In 2010 (And Why 2009 Was So Disappointing)
Lots happened in 2009, but it wasn’t a vintage year for digital music (in fact, it was the year digital music lost the digital buzz to e-readers). All in all I’d give 2009 a 6 out of 10, with the launch of Spotify accounting for at least couple of those points. Here are five of biggest disappointments of the year:

1. Comes With Music underwhelmed (as did Play Now plus)
2. ISP services didn’t get off the ground
3. Apple’s new killer music format was….oh, iTunes albums
4. imeem gave a master class in how not to make money from social music
5. The big boys (MySpace, Apple) snapped up the innovative competition (Lala, iLike, imeem)

So will be 2010 be any different? I don’t think it will be the year digital music really comes of age (that’s at least a couple more years away), but I do expect it to be stronger than 2009. Here are my predictions next year: Continue Reading

December 7th, 2009

Next Big Sound // Raises $1 Million

Next
[Via]

Next Big Sound, the company that tracks the growth and popularity of music groups across major web properties like MySpace, Twitter, Last.fm, and others, has raised a seed round in the $1 million range. Next Big Sound is a statistics and comparison engine à la Alexa or Compete, but for music artists and industry professionals. It measures the number of fans, number of plays, and comments for bands.

December 5th, 2009

Apple Acquires Lala

Apple Acquires Lala

[Via]
Apple Inc has acquired digital music service Lala, as the dominant online music retailer explores new models for selling songs.

ITunes is the leading music service in the United States with more than 70 percent of all digital music sales and it is the leading music retailer overall. But newer music streaming services from the likes of News Corp’s MySpace Music and Spotify have begun to win over music fans in the last year.

A source familiar with the matter said the iPod, iPhone and Mac maker is seeking new ways to expand iTunes to move it beyond being a predominantly download service for songs. “Apple recognizes that the model is going to evolve into a streaming one and this could probably propel iTunes to the next level,” said the source.

The iTunes store offers more than 11 million songs. Apple has sold billions of tracks through iTunes since its launch in 2003. Continue Reading

December 3rd, 2009

RCRD LBL & MySpace Launch Free Daily Music Download

RCRD LBL & MySpace Launch Free Daily Music Download
RCRD LBL & MySpace Launch Free Daily Music Download

[Via]

RCRD LBL, the music discovery site and digital label, and MySpace Music today announced the launch of RCRD of the Day, an exclusive free, daily music download designed to offer music fans the very best in new and cutting-edge music. Available via MySpace Music, RCRD of the Day is the first product stemming from a collaborative relationship between RCRD LBL and MySpace Music, and will be promoted on the site’s home page and across the network.

Related Posts:
Rollo & Grady Interview with RCRD LBL CEO – Peter Rojas (Click Here)

November 30th, 2009

New Biz Model from BuskerLabel

New Biz Model from BuskerLabel

Faenza, Italy (PRWEB) November 30, 2009 — BuskerLabel announced today that it will be presenting its new social network to finance and distribute free music at the MEI (Meeting of Independent Record Labels) on November 30, 2009 at 2:30 p.m. in the Press Room (Sala Stampa).

A busker, also known as a street musician, performs music in public places for tips and gratuities. BuskerLabel is transforming this model and putting a Web 2.0 twist on it. Our online community provides a place for musicians to post music where the members of the virtual audience can pay them if they like what they hear.

The value for the artist of participating in BuskerLabel is that it provides an easy and ready-to-use platform to earn income, promote new songs and build a group of passionate and active fans. The artist will receive 80 percent of collected money during the sponsorship phase that precedes the music release. In addition, they will see the following benefits:
New Biz Model from BuskerLabel

November 23rd, 2009

Digital Music News // MOG All Access Coming December 2nd

Digital Music News // MOG All Access Coming December 2nd

[Via - Digital Music News]
MOG will soon be unwrapping its All Access offering, well ahead of Christmas. The unveiling happens Wednesday, December 2nd, according to information shared with Digital Music News on Monday morning. In a pre-release discussion, the company promised a “revolutionary digital music subscription service,” one that will “exceed all current music listening services” and carry a $5 monthly price point.

The company will attempt to lure subscribers with a free trial window, a taste that could convince music-focused fans to upgrade. The on-demand offering will feature millions of tracks, though MOG is still competing with free, ad-supported competitors like MySpace Music.

Still, MOG already courts a crowd of music addicts, many of whom are actively blogging. All four majors are on board with the launch, according to details re-confirmed by MOG.

Want a better sense of what to expect? The company is now offering a more detailed video preview.

Related Post:
Rollo & Grady Interview with MOG CEO – David Hyman (Click Here)