L.A. Times // Is the great eMusic pricing experiment over?
From Jon Healey/L.A. Times
EMusic pioneered the music-by-subscription model nine years ago, and it’s been refining it ever since. The latest iteration debuted Monday, when the service announced that it had finally struck a licensing deal with a major record company, Sony Music. Specifically, Sony will be mixing some of its back catalog (releases at least two years old) into eMusic’s library of more than 5.5 million tracks. It’s looks like an important step forward for eMusic’s catalog, which to this point has been dominated by independent labels and acts. But it’s yet another move away from the steep discounts and high-volume purchasing that have differentiated the company from the likes of Apple’s iTunes Store.
Unlike Napster (the legit version, not the song-swapping network), Rhapsody and the handful of other services that tried to sell access to music for a monthly fee, eMusic has always offered subscribers ownership in the form of DRM-free MP3 downloads. The store updates the industry’s old music-club model — persuading people to buy music every month by offering discounts for bulk purchasing — in two important ways: It sells music by the track, not the album, and it makes the discounts deeper. Or at least it used to — as part of the Sony deal, the company has raised its price from $10 a month to $12, and lowered the allotment of tracks from 30 per month to 24. In other words, the price per track jumped from 30 cents to 50 cents. (Worse, it did so before adding Sony’s offerings, which will be folded in later this year.) Continue Reading
